Phil Lesh and Friends Bring the Guitars

February 20 -- SAN FRANCISCO — For a band fronting a bass player who was once the backbone of The Grateful Dead's formidable rhythm section, Phil Lesh and Friends have proved a strong showcase for lead guitarists. Various incarnations of the Friends have featured such accomplished soloists as Hot Tuna's Jorma Kaukonen, Little Feat's Paul Barrere, and Phish's Trey Anastasio — all of whom, at one point or another, shared the stage with Zero's legendary guitarist, Steve Kimock, who literally sat at the center of the Friends' gale-force sound from the summer of 1998 until the fall of 1999, when Kimock abruptly left the band in the middle of a Midwest tour.

The loss of Kimock has hung over every lineup of Phil Lesh and Friends since; if Lesh was seen by many Deadheads as the true keeper of The Dead's flame, Kimock was seen as the only mortal on the planet who had a chance of filling the late Jerry Garcia's shoes.

Which is not to say that Lesh has been paralyzed by the loss of Kimock, as was evident Sunday for the final night of a four-show homestand in San Francisco's intimate, light-show bedecked, and very crowded Maritime Hall. Backed as ever by the indomitable John Molo on drums, the band featured the same lineup that has been touring with Lesh since last fall: Rob Barraco on keyboards and vocals, Jimmy Herring on guitar, and former Allman Brother Warren Haynes on guitar and vocals. (Six of the shows from that fall tour have been released in their entirety, for free, in digital format via www.thephilzone.com.)

The five-hour show (including a lengthy break between sets) opened promisingly with "Dancin' in the Streets," a Dead favorite that Lesh gave a fresh arrangement in 1999 and which Barraco sang on Sunday night. Right away, the loss of Kimock was evident. Whereas Kimock would have been careful not to intrude on the playing of his band mates, Haynes showed all his cards early, running right over his colleagues with high-and-hard flights into the upper registers. It didn't matter if Herring or Barraco were warming to their own solos, or even if Barraco was singing a verse, Haynes would be there, occasionally challenging his stage mates to musical duels, which were good-naturedly answered by a smiling Herring and an exuberant Barraco, who at times could scarcely keep his seat. Not that Haynes' relentless slide-