Looking back at a century that will be remembered for its willingness to break classical bonds, and looking ahead to an era that seeks to nurture the creativity needed for scientific innovation, one person stands out as a paramount icon of our age: the kindly refugee from oppression whose wild halo of hair, twinkling eyes, engaging humanity, and extraordinary brilliance made his face a symbol and his name a synonym for genius. Albert Einstein was a locksmith blessed with imagination and guided by a faith in the harmony of nature's handiwork. His fascinating story, a testament to the connection between creativity and freedom, reflects the triumphs and tumults of the modern era.
Now that his archives have been completely opened, it is possible to explore how the private side of Einstein -- his nonconformist personality, his instincts as a rebel, his curiosity, his passions and detachments -- intertwined with his political side and his scientific side. Knowing about the man helps us understand the wellsprings of his science, and vice versa. Character and imagination and creative genius were all related, as if part of some unified field.
Despite his reputation for being aloof, he was in fact passionate in both his personal and scientific pursuits. At college he fell madly in love with the only woman in his physics class, a dark and intense Serbian named Mileva Maric´. They had an illegitimate daughter, then married and had two sons. She served as a sounding board for his scientific ideas and helped to check the math in his papers, but eventually their relationship disintegrated. Einstein offered her a deal. He would win the Nobel Prize someday, he said; if she gave him a divorce, he would give her the prize money. She thought for a week and accepted. Because his theories were so radical, it was seventeen years after his miraculous outpouring from the patent office before he was awarded the prize and she collected.
Einstein's life and work reflected the disruption of societal certainties and moral absolutes in the modernist atmosphere of the early twentieth century. Imaginative nonconformity was in the air: Picasso, Joyce, Freud, Stravinsky, Schoenberg, and others were breaking conventional bonds. Charging this atmosphere was a conception of the universe in which space and time and the properties of particles seemed based on the vagaries of observations.
Einstein, however, was not truly a relativist, even though that is how he was interpreted by many, including some whose disdain was tinged by anti-Semitism. Beneath all of his theories, including relativity, was a quest for invariants, certainties, and absolutes. There was a harmonious reality underlying the laws of the universe, Einstein felt, and the goal of science was to discover it.
His quest began in 1895, when as a 16-year-old he imagined what it would be like to ride alongside a light beam. A decade later came his miracle year, described in the letter above, which laid the foundations for the two great advances of twentieth-century physics: relativity and quantum theory.