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Excerpt: Read 'Elvis Is Titanic' Here

Ian Klaus, Chelsea Clinton's ex, writes about teaching in Iraq.

ByABC News via logo
August 29, 2007, 11:03 AM

Aug. 30, 2007 — -- In 2005 Rhodes scholar and Chelsea Clinton's former boyfriend Ian Klaus spent a semester teaching English and American history in a Kurdish section of Iraq. He chronicled the experience in the book "Elvis Is Titanic."

The memoir discusses how he hoped to give his students a better understanding of America's actions and character. Those lessons led to schooling on African-American history and even pop culture.

Even though the students liked him, Klaus often found the Kurdish pupils challenged his perspectives frequently. The book presents a portrait of children coping in a post-Saddam Iraq and trying to learn.

Read an excerpt of the book below.

"Incoming text message."

Class had let out and I was making my way across the city from one of the university's campuses to another when I started to receive text messages from students I had dismissed not fifteen minutes before. It was a short walk, and though some of my friends preferred that I not take it alone, I picked my way through the more heavily guarded sections of Arbil, capital of the Kurdistan region of Iraq. Students on cell phones passed, kicking up dust on newly paved asphalt; security guards settled into their chairs in front of blast walls, sharing observations about the city's construction cranes. Text messages kept coming.

"Bounty? NO! Kit Kat? NEVER! Mars? . . . How about sugar?? Still can't find anything as sweet as you!"

Almost a year after first arriving in Iraq to teach American history and English, I had returned to the same university in Kurdistan to present a couple of lessons on American education and language. Moving across the city that day, trying to gather my bearings, I found myself as acutely aware of the fortifications and arms as I had been twelve months before: Why is that building so heavily guarded? Who is in that winding convoy? Is it wise to be staying in a hotel made of glass? The anxious imagination as perpetual motion machine—what catches my eye is commonplace to the locals. The bus drivers picking up familiar passengers, the cabbies gossiping at black-market gas stations, the storekeepers in the bazaar were not likely to be talking about checkpoints and armored vehicles. The students on cell phones, too, had concerns of their own beyond the Kalashnikovs that over the decades had become so ubiquitous they were almost invisible. Other forces, beyond those of bristling militarism, were busy at work.

My phone kept vibrating with new messages.

"Triangles have 3 ends. Lines have 2 ends. Life has one end. But our friendship has no ends."

Flirtatious, solicitous, and curious, all of the incoming messages testified to a hope of engagement, as much with the wider world as with me, its apparent proxy. After another class later that same day, I spent an hour chatting with a dozen or so students keen to work on their conversation skills. Most who hung around peppered me with questions about home, my favorite movies, and my views of the relative merits of Michael Jackson and Shakira. One young man, however, interjected to talk about himself and his goals. Slightly shorter than the rest, he was notably tanned, considering the winter season, and a bit pockmarked. He was in his final year at the university but wanted to continue to improve his English. With a heavily bearded and expressionless classmate looming over him, the young man described his plans: upon graduation, he would move to Mosul to work with U.S. forces. Translators, like all Iraqis working with Western media outlets, had been hunted, targeted, and killed by the dozens. Though aware of the dangers, he still considered this the best, indeed the only, route available to further develop his language skills. My phone continued to vibrate in my suit pocket.

Incoming text message: "If the sun forget the earth...If fats forget food...If heart forget beating...If valentine forget love...If Bush forget Bin Laden...but, I never forget you."

To counter terror. To develop democracy. To serve capitalism. To spread freedom. The intentions of the American invasion of Iraq were articulated in relation to no few American ideals. But for these students, a single concern was paramount: opportunity. Opportunity to learn, to pursue contacts, or a career not determined by the state; and, finally, opportunity to be part of an independent Kurdistan. Their parents had suffered violently and bitterly under Saddam Hussein. And they had watched as the dictator was deposed with overwhelming power and violence. Now, this generation's engagement with power was something different: amid violence and corruption, hope was diffused through cell phones and satellite dishes, meted out by markets and new parliaments.

"I want to practice my English and I can't do it anywhere else," the young man insisted. "I will take my chances with the terrorists."

When you reach the threshold of the great gateway
There's a bustle of retainers, and folks gather round,
They guide you through to the hall,
Then all is hospitality and welcome to the guest;
The corps of retainers, bandoliers slung on shoulders,
Heads and hats swollen with bright silken turbans,
Hands upon daggers, awaiting their orders,
Be they to chop off a head or bring in dinner...
—Kurdish poet Mirza Abdullah Goran, translated by C. J. Edmonds, political officer of Her Majesty's Foreign Service, 1919–1925

Twelve months before, in February 2005, the head of the history department at Salahaddin University had given me a five-minute introduction and then left me alone with a translator in front of fifty rather bewildered students.

"Mamosta [teacher] Ian, what are you doing here?" a male student in the back of the class quickly asked before I could speak.

Young men in tight-fitting bell-bottoms or jeans streaked unevenly with bleach filled half the seats. Some shirts shimmered; on others the collar points drooped down halfway to the wearer's shoulders. Footwear ranged from cowboy boots to knockoff Italian square-toed loafers, the whole scene a remarkable fashion hybrid: Middle Eastern, American Western, Roman boulevardier. Women, who would wear fabulous outfits of color and glitter some months later for graduation, were now heavily made up and bundled in coats against the winter's cold. A gang of black-clad young men, some with full beards, quietly looked on from the back of the classroom. (Some of these more religious students would prove to be good students and even better people; others would not.) A few stragglers came in, pronouncing their apologies, their stories belied by small smiles of mischief. Cell phones vibrated on desks as ringtones of the latest Syrian songs filtered through pockets and handbags.