Their hair stands up. What they don't know is -- is -- and it's a strange thing, but, that also happens to us. I don't know what -- what that is. But something about -- I think it's something about that it -- it -- it's against the odds to have to suffer, you know, so -- so -- sublimate your ego, your -- 'cause someone wants to be the boss. And you can't be in this band.
CUOMO: You can't be, 'cause Larry's boss.
THE EDGE: Yeah, that's why its lasted so long 'cause -- 'cause everyone thinks it's their band.
CUOMO: You think you all let -- but it worked. It worked. It worked. And I thought it was interesting last night. Everybody knows that this band distinguishes itself in terms of sense of purpose, a message -- that you try to attach to the music. Some of the choices that you're making on this current tour, "Sunday Bloody Sunday," obviously a very, very famous song. You, the images last night, you were talkin' about the Iran election. You had Arabic up there. You had pictures and scenes from Iran. What's the thinking there? What are you -- what are you tryin' the relay to people?
BONO: That if the songs change their meaning and you get truth you know, they fit different aspects of life -- and it's strange, but the -- the heroes on the streets of Iran, those that are fighting for their freedom at the moment (UNINTEL) non-violently , fighting, a matter of fact, protesting, for their freedom, they chose the color green. So this sort of segue into the Irishness of -- of Sunday Bloody Sunday seems perfect.
I can't quite remember how it happened in our rehearsal, but we started using this beautiful Sufi singer from Iran. And we commissioned an Iranian artist -- who put up the -- put some of her video art. And now I -- I -- I -- I've heard on -- on the radio -- I think it's radio free Asia, They talk about this every day that U2's spending -- I mean, it's tiny things for us in Chicago. But it means a lot to people out on the streets of Iran that there's a sense that the world is watching.
CUOMO: And right now, Adam, what is your take in terms of what people's appetite are with their minds and their hearts for reaching out to other hard situations, to wanting to care what was going on? What do you sense?
CLAYTON: I think it's difficult for people. But fundamentally, people are decent and they have a lot of compassion for -- for what's going on in other parts of the world. And -- and I know, you know, everyone's thoughts are with the troops that are in Afghanistan and what's going on there.
And these moments of -- of -- of freedom that people glimpse at like what's happening in Iran, like what's happening in Burma, for instance Au Sung Su Kyi (UNINTEL), I think -- I think the world does watch. (UNINTEL)
THE EDGE: They really get this stuff. They care deeply about it. So they don't like (UNINTEL) impact in the band because they actually go on. They do it.
CLAYTON: They join Amnesty. So it's really a culture in the sense (UNINTEL) morale up and our views (UNINTEL). We're -- we're kind of the cheerleaders for their activism.