PAULA DAVIS, Assistant: I started hanging out at SNL when I was a kid. I was thirteen or fourteen when the show started, and I watched the show with my friend Toby. We just loved it, and we decided to sneak in, because I think at that point my mom was working in the building on game shows. So we were confident we could sneak our way around the SNL studios, which we did. And we got in and we hung around, kind of like stage-door Johnnies, for probably a year. Everybody was very, very friendly to us. Chevy was very friendly to us. Belushi and Aykroyd talked to us a lot. Even Michael O'Donoghue was nice. So we did a lot of hanging around. I remember one day when I was in high school, Rosie Shuster asked me to help her out. It was one of those things like come over, pick up my dry cleaning, pick up my lamp from the lamp repair place - because they had no free time. When I got there, I remember Aykroyd getting out of her bed, and I was totally surprised. Because last I knew, Aykroyd was with Laraine at that point.
PAUL SHAFFER: I was a little naive. I didn't get involved with anyone. I was friends with everybody, but I wasn't lucky enough to score with anybody.
DAN AYKROYD: I don't know what goes on backstage there now, but I remember the dressing rooms were put to some good sexual purposes back when we were there. But those were just fleeting. They weren't really serious relationships. It was more clinging to someone, attaching to someone in the face of all we were going through.
CHEVY CHASE: The "sex appeal" thing, I don't know where that came from. I know that I had sex appeal because I know how much sex I had. You know what made me good was simply not giving a flying fuck. I had nothing invested there emotionally. I made sure that I had a contract that read that I had the option to leave after a year - the only one there. And I'd never had a job for more than a year before that with anybody.
ANNE BEATTS: The only entrée to that boys club was basically by fucking somebody in the club. Which wasn't the reason you were fucking them necessarily. I mean, you didn't go, "Oh, I want to get into this, I think I'll have to have sex with this person." It was just that if you were drawn to funny people who were doing interesting things, then the only real way to get to do those things yourself was to make that connection. Either you had to be somebody's girlfriend or, sadly and frequently, then you'd be somebody's ex-girlfriend. And then someone else's girlfriend, as I ended up being, and Rosie did too.
MARILYN SUZANNE MILLER: Did I date anybody on the show? I don't know that I'd use the word "date." I had intimate encounters. We were young, and the guys were single and the women were single and we were together twentyfour hours a day - you do the biology. We slept around then. And it wasn't weird. Yes, you could have sex with someone at night and write a sketch for them, or with them, the next day. Totally. It happened a lot. Certainly to me it happened. That's the way life was then. You could sleep with a guy who worked on the show and just know it was de rigueur not to make a big thing out of it and just go to work with him.