DICK EBERSOL: My office was on the fourth floor. The writers basically never got there before one o'clock in the afternoon - ever. We had so little space. Herb Sargent was back in a corner. In the hallway to Herb's office were like Franken and Davis and Alan Zweibel, the three apprentice writers. Al and Tom had bought their first-ever cocaine, and they had it all out on the desk. First time they were ever able to buy any. As apprentice writers, their pay was, I think, $325 a week. So they have the cocaine on the desk, they're like literally staring at it. I'm off in the distance. I'm in a tough place because I'm supposedly the executive, but I decided it wasn't my job to play the policeman. Suddenly this figure comes roaring through the room. Unbeknownst to us at the time, he had a straw in his hand. He gets to the table, and he has half of that stuff up his nose by the time they knew who it was: Belushi. They didn't know whether to be thrilled that Belushi had just done this to their coke or be absolutely decimated, because that represented about half the money they had in the world at that time. The drugs didn't bother me, yet I knew they could be the end of the world for the show. And when I found out there was a partially available space on the seventeenth floor I said to Lorne that's where we're going. It's the best place because of the elevators. One elevator bank says fourteen and up, the other elevator bank one through sixteen in the old NBC. That's where everybody was, every executive was on that side, from the head of the network to the chief lawyers, between the first and the sixteenth floor. You could go up either elevator bank to the sixteenth floor, but if you got on the other elevator bank you only had three floors in common. Fourteen and fifteen were sports and press, sixteen was personnel and I figured, "Fuck them." But if they were on the other elevator, they'd be on the same elevator with Schlosser. And so we were somewhat insulated, but initially in an area that was too small.
EUGENE LEE: That was a mistake, choosing the seventeenth floor, because we never thought that we'd have to wait for elevators. The elevator door used to be full of big dents where people had kicked it. They couldn't bear waiting.
EDIE BASKIN: Drugs were definitely part of the times, but I just think if you wanted to do it, you did it, and if you didn't want to do it, you didn't do it. It didn't have anything to do with pressure. I didn't think anybody was cool because they did drugs, and I didn't think anybody was cool because they didn't. People just made their own choices.