Tarantino and Rodriguez: Who's the Man?

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Even the fact that some of these prints are like Frankenstein monsters of -- or they're made up from different sources, so one reel is red and another reel is faded, then, all of a sudden, there's this Technicolor reel and it looks fantastic. You know, "Whoa." And that becomes part of the night watching that. That's a big part of the night when you screen these movies.

The Missing Reel

TAPPER:
Tell me about the missing reel.

RODRIGUEZ:
One of the festivals we had in Austin showing this film print, I was already trying to come up with as many ideas as I could for the movie. Thought about the aging. Thought about the fake trailers. And we started writing our scripts. And our scripts were getting kind of long -- "How are we going to make this for a double-feature length and they're both really long, full-feature movies?" And [Tarantino] started showing a film print of an Oliver Reed movie…

TARANTINO:
Yes, "Sellout…"

RODRIGUEZ:
And he said -- he was telling the audience beforehand, "Now, this movie has a missing reel. We lost one of the reels. So -- but it's kind of cool, because the movie goes on and then you don't know if the guy slept with her or -- back and forth. And it creates some extra kind of mystery to it."

And I thought, "Oh, my God. We should put in a missing reel, put in a card that actually says, "Missing Reel" -- you could cut out that whole late-second-act shenanigans that are kind of boring anyway and jump right into the third act and have the audience just fill in what happened."

And you can have a lot of fun with that, I think, because, right in the middle of a love scene, it can just go to a missing reel, come out and the mysterious hero that no one knew is past history. Suddenly, everyone knows it. The audience…

TARANTINO:
No information at all.

RODRIGUEZ:
No information. It was in the missing reel…

TARANTINO:
People who don't like each other, now, all of a sudden, like each other. People who weren't shot are shot.

RODRIGUEZ:
It was like taking a long bathroom break and cut 20 minutes out of the movie. And you can just keep the movie running at a full-speed-ahead, freight-train rate.

Is America Ready for 'Grindhouse'?

TAPPER:
This is a film clearly made by people who love movies and love different genres of movies. The American people obviously don't know as much about films as you guys. But do you think they're going to connect to this? I mean, obviously, you hope they do. But do you think that they have the kind of vocabulary in their brain?

TARANTINO:
Well, you know, if you have to be too schooled on any one thing, then it probably doesn't work. All right? It would be nice, you know -- we could just make it for film geeks, and that would be fine and whatever. But, then, you know, you could question about how successful it is. Because the idea is it's just going to be a really fun night at the movies. Do you need to have the background of having been to these things before, back in the day, or to be super knowledgeable about it? No. You should just be able to sit down and we take you into that experience. We don't have to teach it to you. You'll just experience it.

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