"Everyone non-essential, get off the train," someone announced and I panicked for a second. Am I essential?
Doubtful, but I took a shot.
"Hey Jim," I said after a short but frantic search for "GMA" executive producer Jim Murphy. "Can I stick around and shoot this?"
"Of course," he said. "That's your job isn't it?"
He had me there. But this was no ordinary stop; this was top secret rehearsal for the next day's show. And this was no ordinary show; this was the show where we...
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