Octavia Spencer Reveals ‘White Noise’ of Oscars Win
Octavia Spencer did not see Hollywood’s biggest names leap to their feet when she was announced as Best Supporting Actress at Sunday night’s Oscars. Nor did she hear the thunderous applause that filled the El Capitan Theatre as she made her way to the stage to accept Hollywood’s biggest award.
“The only thing I remember is I thought, Christian Bale, he was saying a name and I thought, ‘Is there anybody else’s name that begins with a vowel… “O… and not falling down,’” the star of “The Help” said today on “Good Morning America.”
“Everything else just went to white noise,” Spencer, 39, said of the moments after Bale, last year’s Best Supporting Actor winner, called her name.
She won an Oscar, in her first time nominated, for her portrayal of maid Minny Jackson in “The Help,” the big screen adaptation of the Kathryn Stockett book about Southern life in the 1960s amid the civil rights movement.
“I did [get to a pillow] but he just laid across my lap,” Spencer said of how she celebrated her win well into the night with her Oscar.
“It was the most spectacular night of my life,” she said. “I’m on adrenaline right now. I’m so elated. I love it.”
The “white noise” Spencer experienced when her name was called out among Hollywood’s elite subsided by the time she arrived onstage, allowing her to compliment Bale, her presenter.
“Thank you, academy, for putting me with the hottest guy in the room,” she said.
Jokes aside, Spencer’s tearful speech also saluted her co-stars and crew that drove the film’s onscreen and awards season success, a sentiment she echoed today on “GMA.”
“I see myself just as a link in the chain,” she said of the movie’s cast, which also included fellow nominees Viola Davis and Jessica Chastain.
“You never see yourself as the forefront. I hope I never start seeing myself as the forefront,” she said. “We had a very strong and beautiful chain. That was the most amazing cast and crew.”
Spencer’s role in the film came in part from her longtime friendship with the film’s writer-director, Tate Taylor, who has said he used Spencer as inspiration for spunky maid Minny who refused to let her role as a domestic worker keep her quiet.
“The sass definitely comes naturally,” Spencer said on “GMA” of playing Minny. “It’s all the other stuff in her that I had to find. The sass is no problem.”

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I believe the awards are held at the Kodak Theater, not at the El Capitan….
Posted by: Barbara | February 27, 2012, 11:46 am 11:46 am
I believe that they changed the name of the “theater”. That’s why Billy kept joking about the “name of the place”.
Posted by: Julie | February 27, 2012, 1:40 pm 1:40 pm
I think its time to RETIRE the nominating crew of the academys. They are old, White and antiquated and they think everyone is on that same page. They have dust bunnies in their their brain, coke bottles for glasses, and rods up their you know whats. they’re not ready for change, they’re old school, and if a “silent movie” could win every year….thats who they’d nominate….the silent movie. Old codgers.
Posted by: Lynda | February 27, 2012, 1:50 pm 1:50 pm
This is an absurd headline. It seems like it’s designed to create some sort of scandal that she was making a racial statement. Is the author that unaware, or is ABC’s webmaster that desperate for viewers?
Most people are well aware that “white noise” is the common term for a background haze of sound that blots out something else. For speed, I’ll quote wiki: “The term white noise, the ‘sh’ noise produced by a signal containing all audible frequencies of vibration, is sometimes used as slang (or a neologism) to describe a meaningless commotion or chatter that masks or obliterates underlying information.”
Posted by: Aqua | February 27, 2012, 1:56 pm 1:56 pm
To the author, I believe Octavia was referring to “Oscar” when she was talking about the “hottest guy in the room.” That was my impression since she was looking at the statuette when she said it.
Posted by: Ridelle | February 27, 2012, 6:31 pm 6:31 pm
The smoothly muscular, golden silhouette of an Oscar statuette wasn’t just based on anyone. It was actually modeled in 1929 after the nude body of a Mexican director.
Filmmaker, screenwriter, and actor Emilio Fernandez, nicknamed “El Indio,” fled Mexico for Los Angeles in the 1920s, exiled after supporting a failed revolutionary uprising led by Adolfo de la Huerta.
Working in Hollywood, Fernandez befriended Mexican actress Dolores del Rio, then wife of studio Metro-Goldwyn-Mayer’s art director and Academy of Motion Pictures Arts and Sciences member Cedric Gibbons. Del Rio introduced Fernandez to Gibbons, who was in charge of supervising the statuette’s design.
Posted by: Proud Latino | February 28, 2012, 3:21 am 3:21 am