Joel Siegel's Weekend Wrap: 'The Morning After'

ByABC News
March 12, 2007, 8:49 AM

March 12, 2007 — -- When I interview actors or directors who have a movie out -- and that's most of the time because they don't talk to me otherwise -- one of the questions I ask is "What do you want people to take away with them when they see your film?"

I asked "300" director Zack Snyder. His answer: "I just want people to have fun at the movies."

Well, I did. I saw it on Imax -- highly recommended. It's not 3-D, but watching it on a 60-foot screen made me feel like a kid at the movies all over again. And, obviously, I wasn't the only one.

"300," adapted from Frank Miller's graphic novel, broke a box office record for the biggest March opening ever, the third-biggest R-rated opening ever (behind "Matrix 2" and "Passion of the Christ").

It carried the weekend box office to a March record, set an Imax opening-weekend record, and sold $70 million worth of tickets. Nothing Spartan about that.

Another record they've really got to love at Warner Bros.: "300" is one of the rare films that took in more money on its opening weekend than the movie cost to make.

I have a couple of questions: Are Miller's graphic novels that popular? Do that many people know his work?

Moviegoers can't know Snyder's work. This was his second feature; the remake of George Romero's "Dawn of the Dead" was his first. So where did all this word-of-mouth anticipation Hollywood calls "advance tracking" come from?

The totals were a surprise, but Hollywood knew it would be No. 1 because no other studio opened a major film against it.

It should do even better overseas. "Troy" and "Alexander" both did much better overseas than they did here.

"Wild Hogs" came in second, dropping only 35 percent. It could end up doing $150 million overall. "Ghost Rider" broke the $100 million mark.

Kids are going to the movies in March, which had been a dead month at the box office. But, in fewer numbers, as is always the case, so are grown-ups.

"The Lives of Others," the German-language Oscar winner and a just plain great movie, dropped only 8 percent from its opening weekend, and "The Namesake," from Indian-American director Mira Nair, averaged more than $40,000 per theater.