2 documentaries up for Oscars tell stories of nonagenarians

The Oscar isn’t the only one celebrating its 93rd trip around the sun at the Academy Awards ceremony this year

One, Horace Bowers, is a 93-year-old Black man born in the Jim Crow South who became a successful business owner in California and the grandfather of a prominent composer. The other, Colette Marin-Catherine, is a French woman who was part of the resistance during World War II. She turns 93 on April 25, the day of the ceremony. Neither ever dreamed that they would have any connection to the movies at all, let alone Hollywood’s greatest honor.

“I do think it’s an amazing coincidence and sort of feels fateful that both Horace and Colette are not only very close to the same age but that the Oscars itself was born at almost the exact same time as they came into the world and that almost a century would pass before their stars aligned,” said Ben Proudfoot, the co-director of “A Concerto is a Conversation." “It’s like a Halley’s Comet that all these threads would come together at this exact moment. I think it’s pretty special.”

Born in Bascom Florida, Horace Bowers remembers distinctly a peer of his calling his father “boy” when he was 6 or 7 and knowing at that moment that he had to leave. Almost by accident, Bowers found his way to Los Angeles where he saved his money and bought a dry-cleaning business. Recently, a stretch of the South Los Angeles corridor where he founded his business was designated the Bowers Retail Square.

In the emotional 25-minute film from director Anthony Giacchino, Marin-Catherine sets foot in Germany for the first time since before World War II to visit the concentration camp where her brother died in 1945. She’s accompanied by then-17-year-old Lucie Fouble, an aspiring historian researching French deportees to Dora during the war. Speaking through the film's co-producer Alice Doyard, who translated, Marin-Catherine said her connection to Fouble continues to this day.

Both Bowers and Marin-Catherine have found the experience of being in films a little overwhelming and both did it for family. Bowers remembers being a little confused about why Proudfoot and his grandson wanted to film him demonstrating how to press clothes, but he obliged.

“I told them, as long as I can help you, I’ll stay here all you want,” Bowers said. “If I’m going to help him to succeed, then that’s what I want.”

Marin-Catherine, similarly, considers “Colette” to be a tribute to her brother. She thinks of herself as a very small part of the endeavor even though it bears her name. And while both films are competing in the same category, no one is feeling especially competitive.

“We’re the short documentary category. I’m sure that all the filmmakers behind these films are most of all interested in raising what their story is about on an international stage. We want to support each other,” Proudfoot said. “Whoever wins, we will all be cheering because it’s a win for the entire short documentary community.”

Bowers, who has had a difficult year undergoing cancer treatments, is especially looking forward to the ceremony. Marin-Catherine, meanwhile, will be watching from home.

“The academy members have to take advantage of this amazing opportunity to celebrate someone who’s almost the same age as the academy,” Marin-Catherine said. “It will be rarer and rarer.”

If “Colette” wins, she said, she’ll have two pieces of chocolate that night instead of one.

Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr