No Lip-Syncing: Ashlee Brings 'Chicago' to London

ByABC News
September 25, 2006, 10:57 AM

Sept. 25, 2006 — -- Not long ago, people doubted whether Ashlee Simpson could really sing.

Now, she says she can relate to her role as the fame-hungry Roxie Hart in the London run of "Chicago" as the musical nears its premiere.

"The play absolutely is all about celebrity and wanting to be famous and have your name in the papers and your picture in the papers," the 21-year-old pop star told reporters.

"And in that sense, it's been kind of cool because I've really got to connect to that 'cause I've seen that world and been in that world."

It took a little time for Jessica's less-famous younger sister to emerge from her shadow.

But Simpson has always shown some talent.

At 11, she was the youngest person ever admitted into the School of American Ballet, and three years later, she was dancing in Jessica's stage show.

But her career hit a snag with that infamous 2004 performance on NBC's "Saturday Night Live," when she was due to sing "Autobiography," and a pre-recorded track of "Pieces of Me" -- which she had performed earlier that evening -- began playing.

An embarrassed Simpson was left holding her microphone, dancing an awkward jig as a joke, and apologizing days later.

While many stars sing with the aid of backing tracks at live events, Simpson became a national joke.

But she's worked hard to overcome that, and she'll have no high-tech trickery to fall back on as she makes her debut at London's Cambridge Theatre in London's West End.

She's taking on the role that earned Renee Zellweger an Oscar nomination.

"Doing theater has been extremely humbling," Simpson said, "because it's not about who you are. You are not a celebrity when you come here. Everyone is equal. Everyone has to work together."

Simpson decided to take the role shortly after R&B singer Usher announced that he was joining the Broadway production of "Chicago."

He debuted several weeks ago in the part of showbiz impresario Billy Flynn -- played by Richard Gere in the 2002 movie -- to lukewarm reviews and a spike in ticket sales.