READ EXCERPT: 'Mean Mothers' by Peg Streep

Photo: Book Cover: Mean Mothers: Overcoming the Legacy of Hurt

The unconditional love of a mother isn't a luxury that all children enjoy. In Peg Streep's new book, she explores the darker side of the mother and child relationship with stories of strained relationships fraught with tension, anger, and ambivalence.

Read an excerpt of the book below, and head to the "GMA" Library for more good reads.

Chapter One: The Myth of Mother Love

I was no older than three or four when I knew my mother didn't love me. Of course, the way in which I knew this was different from how I would know and understand it at other times in my life, but I knew it nonetheless. I knew it first by the way she stiffened when I tried to sit in her lap or touch her arm, and how she turned her face away when I kissed her. She wasn't like the people who loved me – my father, my grandfather, my great-aunt, or even my teachers – whose faces softened with pleasure when I drew near.

VIDEO: Peg Streep?s book explores the darker side of the mother, daughter relationship.

Later, I knew that who I was – a round-faced curly-haired girl full of energy and curiosity – was enough to irritate or infuriate her. "Stop skipping!" she'd say when we walked together, dropping my hand in punishment, as though my joy was an affront to her. I would slow down, chastened by her sharp voice, instantly lonely but reassured by the clatter of her high heels on the pavement that she was still there. She was the bullet I couldn't dodge, and the gunfire could come from anywhere and nowhere. It might be a stranger telling her she had a pretty child, inadvertently setting off a tirade as sudden and violent as a summer storm. She would begin with a defense of her own beauty that would build into a hurricane of complaints, gathering energy as it went, each new thought more saturated with anger than the one before, all directed at me. The seeds of her rage and disappointment could blossom in a bewildering instant.

I knew, more than anything, that her power was enormous and that the light of her sun was what I needed. But that light could burn, flicker, or disappear for any or no reason. Yet, as a small child, I loved and needed her, and wanted desperately to please her, as much as I feared her.

When I was a little girl, I learned to tiptoe through her shadows and found sunshine in the real world and that of my imagination. Before he died, my father was a safe haven, since she largely hid both her anger and meanness toward me when he was home. I hoarded the attention I got from my teachers, my babysitter, the woman who cleaned our apartment, the mothers of my friends, and tucked it away, deep inside.

I drew the stories in books up around my shoulders for comfort, my thumb in my mouth. I called myself Eloise and was happiest living vicariously in the blissfully motherless Plaza Hotel, with a loving nanny, a turtle, and a dog named Weenie. I pretended that I was Jo March with a mother named Marmie, and the boy who owned Ole Yeller and the girl who rode Flicka. I saw myself living in that little house on the prairie, all safe and warm, with the pumpkins big enough to sit on in the dry cellar. I mothered my dolls the way I longed to be mothered; I told them stories, cuddled them, and made sure they were safe.

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