Not Even Bombs Can Silence Lahore's Arts

This was supposed to be a story about music.

Pakistani artists light candles during a ceremony of World Performing Arts Festival in Lahore ...

Pakistani artists light candles during a ceremony of World Performing Arts Festival in Lahore Sunday, a day after three small bombs exploded outside the Qaddafi Stadium Cultural Complex. Two people were wounded at the cultural center in the eastern Pakistani city, police said, in the latest in a wave of bloody attacks in the country.

(Arif Ali/AFP/Getty Images)

It was supposed to be about foreign artists willing to perform in Pakistan, about the Pakistani brothers spending their own money to throw an international arts festival, about Pakistanis showing up in large crowds to defy the extremists who have helped push their country toward economic ruin.

But instead, this is a story about terrorism in Pakistan, and, perhaps, about the people trying to live full lives in spite of it.

It was about 10 p.m. Saturday when three small bombs exploded outside the Qaddafi Stadium Cultural Complex in Lahore, where the World Arts Festival was in its second to last day.

For the previous nine nights, some 300 foreign and 600 Pakistani artists had performed theater, puppet shows, comedy, dance and long music sets to mostly crowded halls and stadiums. Kids ran around, families ate outside under colorful lights, couples shopped at local vendors' booths. The increased security had worked, and for the 25th time, the Rafi Peer Theater group had presented a "softer side of Pakistan," one that celebrated the country's artistic talents in this city, the cultural capital of Pakistan.

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But after the bombs went off, and after police found an additional four bombs that hadn't exploded, the festival and this normally peaceful city had once again become a victim.

"This was definitely a threat by the Islamists to the festival that it must be discontinued," Faizaan Peerzada, the festival's president, told ABC News.

He had, in an interview before the explosions, spoken eloquently about how the festival was a desperately needed antidote to the daily drumbeat of news about suicide attacks and military strikes.

The festival is "a statement in itself. It stands against whatever the Islamist forces are trying to achieve. It stands against fear," he said. "And it stands for those still living. This country is living, this nation is living."

But after the bombs, after the four injured had been rushed to the hospital, after the foreigners had been whisked away in a bus with blinds covering its windows, after all that Peerzada thought the festival had taken on even more significance.