Remote Music Festival Lures Fans to Arctic Circle

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Those prone to seasickness should steer clear of the Traena Music Festival. A five-hour boat ride is just one leg of the multi-day odyssey required to reach the remote Norwegian island the event calls home. For three days, music fans from around the world take over a part of the Arctic Circle that normally sees more seagulls on rocks than rock'n'roll.

Music lovers hoping to catch this year's show at the Kirkeheleren will need a boat, hiking boots and lots of energy. Kirkeheleren, which translates to "cathedral cave," is one of the venues of the Traena Music Festival. It's no posh Oslo club, but a remote cavern on Sanaa, a northern Norwegian island set against the breathtaking backdrop of the Arctic Sea. To get here, festival-goers must make an arduous journey that includes airplanes, boats and lots of walking.

Since 2003, the Traena Music Festival has managed to lure music lovers from around the world to the far reaches of arctic Norway. Guests come from as far away as Germany, France, the United States and even Japan. Most of the time, these remote islands in the Arctic Circle hear only the calls of seagulls and waves crashing on the rocky shore. But for three days a year, some 2,000 fans add their voices to the screeching of the gulls as they enjoy musical performances surrounded by cliffs and caves in an eerie far-north atmosphere.

"The trip from Oslo to Traena takes as long as the trip from Oslo to Bangkok," the festival's founder Erlend Mogard-Larsen told SPIEGEL of the 1,000-kilometer journey. From Oslo, a two-hour flight takes visitors to the port city of Bodo where, once a day, a ferry leaves for the festival's home island of Husoy. After five hours on the Arctic Sea, the desination comes into sight: a jagged moss-covered hunk of rocks silhouetted sharply against the ocean and blue sky.

Nature is the Headliner

For those hoping to catch one of the festival's Kirkeheleren concerts, the journey is even longer. From Husoy, another boat takes them to neighboring Sanaa. Then, it's a long trek down a dark mountain tunnel, only occasionally lit by torches, a nail-biting climb down precipitous rock faces and, finally, a trudge through tall murky grass to the cave. When festival goers finally do arrive, they are sweaty and filthy -- but ready to rock.

Far from an inconvenience, Mogard-Larsen sees the trek to Traena as an advantage. "Someone who has two or three days to make the journey to the festival has time to relax and take in the environment and nature," he says.

The environment undoubtedly plays a big part in motivating many to travel so far. Here, the sun shines at midnight just as fiercely as it does at noon, the craggy rocks range majestically into the icy-blue sky, and the lonely beaches are washed by turquoise blue water. With a backdrop like this, it doesn't matter if you haven't even heard of some of the bands performing.

No 'Mick-Jagger Treatment'

A giant man with blonde braids and a penchant for scratchy, woolen sweaters, Mogard-Larsen first got the idea to bring music to the fairytale landscape at age 12, while visiting his grandmother on the island. Climbing around the craggy rocks in search of seagull's eggs at three in the morning, he paused in front of a cave. "I was staring at the grotto and was just overcome with this vision of how amazing it would be to hear great music in that environment," the 41-year old remembers.

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