The music video, an already revolutionary genre, is experiencing a bit of a revolution itself.
Videos, which started as simple clip reels of a band lip-syncing its single, and then morphed into Hollywood-style, big budget mini-movies, are heading back to their roots. Out are the big budgets and big concepts; in are single cameras and quirkiness. The new examples of the art are, in the words of Daft Punk, harder, better and faster -- but are they necessarily stronger?
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