NYT Photo, Post on Christina Hendricks Sparks Controversy

Jan. 21, 2010— -- A photo of "Mad Men" star Christina Hendricks posted on the New York Times' Web site Monday drew accusations from the blogosphere that the photo was intentionally distorted to make her look bigger, a charge the paper denied.

The image was featured in the Times' "On the Runway" blog, along with red carpet commentary on the weekend's Golden Globe awards.

Writing about Christina Hendricks' "exploding ruffle dress," Cathy Horyn wrote, "As one stylist said, 'You don't put a big girl in a big dress. That's rule number one.'"

Horyn's post prompted a wave of criticism from the blogosphere.

The Gothamist ran a piece on the Times' "takedowns of women," mentioning Horyn's post as well another piece by the Times' Andy Port saying that Jennifer Aniston, Courtney Cox and Kate Hudson have "put on a little weight."

"Cathy Horyn decides to take down the gorgeous Christina Hendricks," the Gothamist wrote. "Whether you agree or disagree (you disagree, right?), it should be noted that the photo running with Horyn's piece was most definitely distorted, possibly to (falsely) illustrate her "point."

The Frisky also took the blog post to task, saying, "Seemingly to drive home the point of just how terribly big Hendricks really is, the Times ran an altered photo of her ... making her appear broader than normal."

"Forget the distorted photo; I'd like an explanation for Ms. Horyn's distorted view of the female body. Just because a woman doesn't look like Courteney Freaking Cox doesn't mean she's big," the post continued.

On its site, however, the Times responded with this explanation: "A number of readers raised concerns that the photo of Christina Hendricks at the Golden Globe Awards had been deliberately altered. The photo was slightly distorted inadvertently due to an error during routine processing. The photograph has been replaced."

When contacted by ABCNews.com, a spokeswoman for the Times said the paper had no further comment.

This photo is just one of several images to stir controversy. Here are a few others.

In October, an ad featuring an image of an impossibly thin Ralph Lauren model generated quite the brouhaha in the blogosphere.

The ad showed the model Filippa Hamilton sporting the designer's latest ensemble, but, through photo-editing, her waist had been whittled down to appear smaller than her head.

In late September, the blog Photoshop Disasters posted the ad, as did the blog Boing Boing, adding the caption: "Dude, her head's bigger than her pelvis."

Ralph Lauren didn't take too kindly to the online attention and sent out copyright infringement notifications in response to the critical blog posts.

In a letter dated Oct. 6, PRL USA Holdings, Inc. (Ralph Lauren) informed Boing Boing that the Web site did not have authorization to post the ad and asked that the site remove the image.

Google's Blogger, the blogging platform that hosts Photoshop Disasters, was also served with the notification and removed the image. But Boing Boing refused.

"Instead of responding to their legal threat by suppressing our criticism of their marketing images, we're gonna mock them," Boing Boing editor Cory Doctorow wrote in a blog post Tuesday. "So, to Ralph Lauren, GreenbergTraurig, and PRL Holdings, Inc: sue and be damned. Copyright law doesn't give you the right to threaten your critics for pointing out the problems with your offerings. You should know better. And every time you threaten to sue us over stuff like this, we will:

The gaffe sparked quite the discussion online, as bloggers and commenters wondered if the change was racially motivated, the result of poor judgement or both. Some people suspected that the computer technology giant changed the Polish image so that it matched the country's own racial composition.

It even inspired the popular tech blog TechCrunch to launch a contest to see who can manipulate the funniest head onto the Microsoft ad.

"So get Photoshop fired up and make your funniest (and yet not in any way offensive) version of the Polish Microsoft head replacement. No rules. Replace all the heads if you want to. Add costumes and props. And text bubbles," it said on its site.

The winner gets a Bing (Microsoft's search engine) T-shirt in the mail.

Ultimately, the affair elicited an apology from Microsoft, which said in a statement, "We are looking into the details of this situation. We apologize and have replaced the image with the original photograph."

University of Wisconsin Recalls Brochure With Doctored Image

But race-altering edits have backfired for other brands too. In 2000, the University of Wisconsin admitted that it had doctored the cover of a brochure to make the school look more diverse.

Into an image of mostly white students cheering at a football game, it digitally inserted the face of a black student, Diallo Shabazz. Jet magazine quoted Shabazz as saying that he had never attended a football game at the university.

According to the National Press Photographers Association, the university reprinted all 106,000 copies of the brochure after it was caught.

In marketing and advertising, where most images are air-brushed and altered, such manipulations may hurt a company's image but they aren't considered ethical breaches. In news, however, it's an entirely different story.

"For news, it's just, you don't do it," said John Long, former president of the National Press Photographers Association and now the group's ethics chairman. "It has to be that simple. It comes down to it's just not right to lie to the public."

The magazine took the mug shot of Simpson when he was arrested and tweaked it before putting it on the cover. It was caught because Newsweek published an unadulterated version of the photo around the same time.

"O.J. was interesting because it was one that caught everyone's attention, he said. "It was the beginning of the public discussion."

In an editorial piece the week after the controversial issue was published, Time's managing editor wrote, "The harshness of the mug shot -- the merciless bright light, the stubble on Simpson's face, the cold specificity of the picture -- had been subtly smoothed and shaped into an icon of tragedy."

But to the National Press Photographers Association, those alterations changed the image from a document of reality to an editorial statement that deceived the public.

TV Guide Puts Oprah's Head on Another's Body

Another ethically-questionable image was featured on the cover of an August 1989 TV Guide.

The picture combined the head of Oprah Winfrey and the body of actress Ann-Margret, taken from a 1979 photograph.

The photograph was created without the permission of Winfrey or Ann-Margret and was detected when Ann-Margret's fashion designer recognized the dress, according to Hany Farid, a professor of computer science at Dartmouth College who studies imagery manipulation.

In another controversial magazine cover image, Martha Stewart's head was placed on top of the body of a slimmer model who had been photographed separately in a studio.

In 2005, Newsweek magazine placed the image on the cover of its magazine after Stewart was released from prison, ostensibly to highlight the many pounds she had shed.

The decision drew criticism from the industry with the National Press Photographers Association, calling it a "major ethical breach."

"NPPA finds it a total breach of ethics and completely misleading to the public," association president Bob Gould said in a statement at the time. "The magazine's claim that 'there was a mention on Page 3 that it was an illustration' is not a fair disclosure. The average reader isn't going to know that it isn't Martha Stewart's body in the photograph. The public often distrusts the media and this just gives them one more reason. This type of practice erodes the credibility of all journalism, not just one publication."

In 2006, Reuters was forced to fire a photographer, remove images from circulation and change policy after finding that a photo of an Israeli air raid on Beirut had been manipulated.

Bloggers were the first to notice that the clouds in an image taken by Adnan Hajj, a Lebanese photographer, had been darkened.

Soon after, Reuters issued an apology and said it withdrew from its database all of the images taken by Hajj. "There is no graver breach of Reuters standards for our photographers than the deliberate manipulation of an image," Tom Szlukovenyi, Reuters Global Picture Editor, said at the time. "Reuters has zero-tolerance for any doctoring of pictures and constantly reminds its photographers, both staff and freelance, of this strict and unalterable policy."

An image showing four missiles was distributed by Agence France-Presse (AFP), which said that it received the image from the Web site of the Iranian Revolutionary Guard's media division. Later, however, The Associated Press distributed a similar image that included only three missiles.

The AFP retracted its version of the photo, saying that it had been "apparently digitally altered" by Iranian state media.

In August 2006, the Associated Press had to pull a photo when an editor added an extra set of hands on an Alaskan oil pipeline worker.

The photo captured a BP employee scanning a section of pipeline that had leaked 200,000 gallons of oil earlier that year. An editing error apparently gave the worker four hands instead of two.

In one of the most well-known and earliest examples of photo manipulation, National Geographic moved the pyramids in Egypt to make a vertical cover out of a horizontal photograph.

According to the National Press Photographers Association, the magazine referred to the change as the "retroactive repositioning of the photographer," explaining that had the photographer been in a slightly different position, he would have been able to capture the image naturally.

But to photojournalism ethicists, it still constituted a lie that damaged the magazine's credibility, as well of that of the entire news business.

As technology has changed what photo editors can do to images, it's also changed the way the public perceives them, Long of the National Press Photographers Association said.

"People don't look at pictures as though they were historical documents but as things that they want them to be," he said. "It's so easy, it's so pervasive, that the nature of photography has become liquid. And that is a very big threat to what we do in the news business, which is to try to document reality in pictures that are accurate. Once the accuracy goes, we have nothing left to offer."