NASA Scientists Fight Crime With VISAR
Nov. 3 -- NASA scientists David Hathaway and Paul Meyer weren’t looking at the sun and studying satellite maps to help fight crime. But somehow the work they were doing led the FBI to their lab at the Marshall Space Flight Center in Huntsville, Ala.
It was 1996, and the federal agents needed some help with a high-profile case, in which some homemade video could prove very helpful. Hathaway and Meyer, who had worked a lot with image processing techniques, stepped forward to help, and their foray into crime-fighting began with the bombing of Centennial Park during the ’96 Atlanta Olympics.
At first it might seem surprising that the FBI would turn to NASA for this type of help, but because the job involved deciphering images, who better to turn to than the creators of the Hubble Space Telescope?
Following a Pattern
In their day jobs with the national space agency, both men have to routinely distill information caught, but often hidden, on film, and for years they had been refining ways to overcome the limits of poor video footage.
“With telescopes on the ground used for looking at the sun, there’s always some jittering,” says solar astronomer Hathaway, who had developed stabilization methods to minimize shaky images.
Meyer, experiencing similar problems as a meteorologist, had to make sense out of satellite pictures that were too jumpy, too blurry or too noisy. If you’ve ever seen a freeze frame, you’ve seen video noise. It’s the speckly colored pattern that always looks worse than the moving video itself.
So the men began working on what would become one of their greatest challenges at NASA — getting a clearer picture from moving, shaking, amateur video footage that could help solve a crime.
The Making of VISAR — It All Adds Up
Both men say it took a lot of trial and error, but eventually they came up with a successful way to stabilize a rough image. They call their technique the Video Image Stabilization and Registration, or VISAR for short. And while it seems nothing short of miraculous on the surface, underneath it all adds up — quite literally.