"Julie would not accept this," Bono said. "She got very close to it, so close, perhaps, that she couldn't see it. And we were going out and coming back and we could see very clearly what we thought were the problems and she didn't think they were as big a problem as we did."
Both Bono and The Edge praised Taymor's work and said they wanted her to be with them during their first foray into musical theater.
"Julie is an incredible artist, really a very gifted girl," Bono said. "I think it's -- it's a shame she's not with us to see it to its conclusion, because a lot of what's magic about it is hers."
"If it's a big success, I think it serves everybody involved and Julie, as well, because, you know, this show is so much about the contributions she made," The Edge added. "So I think the best thing we could do for the show and -- and for Julie is turn this into a success"
Last month, "Spider-Man's" producers closed the show for three weeks and brought in a new director, Phil McKinley, to fix it.
"Some people call me 'Spidey Doc,'" McKinley said.
The show certainly needed a jolt of inspiration. A song was added and the love story between Peter Parker and Mary-Jane Watson was further developed.
"The last version of 'Turn Off the Dark' had a lot of magic and mysterious stuff," Bono said. "It was beautiful actually, in so many ways. It just, it didn't cohere."
"This time you have a really clear story line," Bono continued. "You have characters that you're getting to know. The music is in a system where it's legible and there's lots of really obvious stuff that has been fixed."
While the show's storyline has been revamped, Phil McKinley made it clear this was still "Julie's show." He also said the flying apparatuses the actors use to lunge through the air continues to astound audiences, and watching a live performance of "Spider-Man" is the closest to what you would see on a film set.
"It's amazing that they can do this kind of technology, you know, here in the theater," McKinley said. "What I think is unusual about all of the flying is that it is not theatrical flying. It is really film flying."
McKinley not only directed the award-winning musical, "Ben-Hur," in London, but also directed hundreds of Ringling Bros. and Barnum & Bailey circus performances. He said his experience helped him understand the technical aspects of the "Spider-Man" production.
"Directing the circus told me about how to, you know, work with and collaborate with large numbers of people," he said. "Circus performers always inspire me."
McKinley said the crew tests "every inch of line" every day and they are taking numerous precautions to keep their actors safe. While there have been no injuries since he started working on the show, he said the danger is still there.
"There is always a risk because you still are doing thrills," he said. "You still are doing very, very high-skilled, thrilled, flying, and so, of course, there is always going to be that risk factor."
"Spider-Man" debuted in its latest version last month and the cast and crew received a standing ovation from the preview audience. Opening night is currently scheduled for June 14.
"I love watching the audience when Spider-Man drops into the audience, the expressions on the faces," McKinley said. "I think that is what is fantastic about the show."