Striking Writers May Head Back To Work This Week
Upbeat meetings in New York, Los Angeles may be beginning of end for strike.
HOLLYWOOD, Calif., Feb. 10, 2008— -- Striking writers on both the East and West coasts appear to be giving two thumbs up to a deal that would end the three-month long strike by the Writers Guild of America.
Leaving a meeting attended by at least 1,000 writers at the Shrine Auditorium in Los Angeles late Saturday, writer/producer David Fury of Fox's "24" said the mood inside the building was "euphoric." Fury said, "I think that we showed that the union is strong and next time they'll think twice about rolling back on gains that we've already made."
In New York, documentary film maker Michael Moore said he was proud that the writers had stood up to the media conglomerates. "The fact that it was a bunch of people that got beat up in school because they like to sit around and write in their journals is kind of impressive", Moore said.
Many writers said they did not get everything they wanted, but that they had done better than they would have if they had not walked out on television and movie production.
Union members say the WGA will take 48 hours to have a vote on whether to lift the strike so writers can return to work this week. It will take another two weeks to actually ratify the contract.
If the members accept the contract it is possible that popular television shows from "Grey's Anatomy" (ABC), "CSI" (CBS) and "Heroes" (NBC) could go back into production and finish the television season with new episodes.
Describing the agreement with the Alliance of Motion Picture and Television Producers as "neither perfect nor perhaps all that we deserve," Patric Verrone and Michael Winship, respectively the presidents of the Writers Guild West and East, said in a letter to members, "Continuing to strike now will not bring sufficient gains to outweigh the potential risks and that the time has come to accept this contract and settle this strike."
The agreement guarantees that writers will receive residuals for work that appears on the Internet or other new media such as cell phones. But if the Internet becomes the primary means for displaying what is now known as television, writers could make considerably less money when their work is replayed.